Jonah (John Patrick Amedori) is like a lot of kids out there. He's one of those kids that goes to a private school because his mom works here ass off so that he can get into a good school. He's not really an outcast, he's just not there. Once the school year has ended Jonah gets the nerve to go to an end of school party and actually talk to the girl he was quietly in love with throughout his time in school, Sara (Lizzy Caplan). Sara is part of a small clique with her boyfriend Troy (Jonathon Trent), the typical high school asshole Lucas (D.J. Cotrona), and her best friend Erin (Jenny Wade) where drinking and doping like a rock star is standard practice. They slowly allow Jonah to cling to their team after they find out about his job at a pharmacy. His status grows within the group as he supplies the party supplies and gets pulled into the excess of a teenager in Los Angeles. Things come crashing to the ground when Troy overdoses and the questions over Jonah's intentions toward Sara begin to fester.
Initially the film starts as a basic kid fitting in film where Jonah uses his position to get in with the in-crowd. As the film passes it becomes something darker with characters that get creepier and creepier as the movie unfolds. It actually becomes an interesting movie, even though it does get a bit melodramatic at points. Some scenes are very good, meanwhile others are almost laughable from a dialogue standpoint. There are a few points that will leave you scratching your head, such as the what I can assume is a detective that Troy's parents hire to figure out who gave their son the drugs. This guy seems to have free reign throughout the film to stalk people and walk right into homes. For kids who are rebellious and such I would expect a big F-off to this guy, yet they cooperate more with him than with each other.
Borrowing a name from a Roxy Music tune (I'm assuming that the film makers got sued because it has been re-titled as Addicted To Her Love) the film is interesting and develops quite well, yet there's a ton of little things that just drag it down. Once it starts getting real good, there's something ridiculous that pulls you right out of it again. The way we remake stuff, this would make good fodder in about a decade. It just needs a bit of polish.
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